Throughout history post mortem pictures have been more common place than one would initially imagine. Dressed up in their best attire, family members would pose their late loved one in various positions in these morbid death pictures, to give the effect of life (after death) as to have a photograph which they may keep to forever remember their deceased family member.
Post mortem photography was at its height during the Victorian era (1837-1901). This was largely due to photo-camera being widely accessible to the upper class, yet still an expensive venture to be used on a daily bases. So if a family member passed away unexpectedly- especially at a young age-it was unlikely that photos would have been produced prior to their death. And so, as a keep-sake of their memory post-mortem pictures were the obvious solution….obviously.
The deceased member would usually be sat in a chair (sometimes with their hands tied to a certain position), pictured laying in a bed or on occasion standing- to add extra life to the corpse. The body would be mounted on a specially designed rack (see above) and manoeuvred into the desired position. Though people were not the only subject of post mortem photographs, family pets and even horses have been known to star in their own portrait.

A boy in a sailors middy, positioned on a bed with flowers strewn about him. There doesn’t appear to be any effort to make him look like he is just resting.

While filming an episode of ‘The Six Million Dollar Man’ in a funhouse in Long Beach, someone adjusted a dummy which hung from a noose & accidentally broke it’s arm off. While gluing it back on, they saw what looked like a real bone. Turned out to be the mummified remains of Elmer McCurdy, an escaped criminal from the Oklahoma pen who had been killed in a shoot out. His body had been sold to a museum where they charged a quarter to view it.

Man being held up by posting stand – The purpose of the posing stand was to keep the posers fixed and in position because of the time it took to take the photographs. The subject is placed in front of the camera. If necessary, the pose is held with the assistance of adjustable head rests, clamps and posing stands.

Man o’ War in his coffin. The most famous Thoroughbred died on November 1, 1947 at the age of 30 of an apparent heart attack. He was the first horse to be embalmed, and his casket was lined in his riding colors. Man o’ War’s funeral was broadcast internationally over the radio and over 2,000 people came to pay their final respects.

A particularly beautiful young girl laid out in the parlor, circa 1910. It was not uncommon to dress dead young girls in what looked like a wedding veil and dress to symbolize their purity as they go to ‘meet God’.

Three clues indicate that this photo is most likely a postmortem. First, the baby’s eyes have been altered. Secondly, the baby’s right hand is tied at the wrist and held in place to give the appearance of movement. Lastly, the baby’s left hand shows signs of discoloration and decomposition.

Dead young woman. Note her hands. The frameworks fastened at the waist and neck with heavy gauge wire to position and hold the arms. The clothes were left unfastened at the back.

Post mortem photo of the twin on the right. Stands were sometimes used to make the deceased seem alive. The R. Twins skin is discolored, the eyes are lifeless, arm hangs at his side and theres an unnatural leaning to his stance, whereas his brother has turned his head and is glancing up at him with trepidation. Live Siblings and surviving twins were often posed with their deceased siblings for post mortem photos victorian-post-mortem-photography

The Strange Case of Jeremy Bentham: At his request, he was taxidermied after his death. Supposedly, the process to preserve the head went terribly wrong and left his face showing lack of expression therefore, unattractive. So, his head was replaced with the wax substitute and for a time was placed on the floor between his legs. It now sits in storage, safe and sound.

Postmortem photograph from The fetus, infants and death, in coll. with C. The Grand Sébille and M.-F. Morel, Paris, L’Harmattan, 1998


























